The book gathers together a particularly strong line-up of contributors from across the literary-performative divide to examine the relationship between Shakespeare, the 'culture industries', modernism and live performance.

1. Modernity, Modernism and Postmodernism in the Twentieth-Century's Shakespeare 2. 'To Kill a King': the Modern Politics of Bardicide 3. The Problem of Professionalism in Twentieth-Century Stagings of Hamlet 4. Translation at the Intersections of History 5. Women's Work and the Performance of Shakespeare at the Royal Shakespeare Company 6. Shakespearean Performativity 7. Heresies of Style: Some Paradoxes of Soviet 8. 'Lice in Fur': the Aesthetics of Cheek and Shakespearean Production Strategy

Michael Bristol is Greenshields Professor of English at McGill University in Montreal. Kathleen McLuskie teaches in the English Department at the University of Southampton.

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